But given that this novel is about a hit man, the violence kicks in quickly and continues through most of the book. The poignant beats in this early portion of Billy Summers will be familiar to readers of 11/23/63, which also features a main character with a hidden mission who becomes a part of a community even as he deceives the people around him. And of course, the hit is only the beginning of the action.
But even as he sinks into his identity as “Dave,” the guileless would-be great American novelist who beats the pants off his neighbors at Monopoly and grabs drinks with a woman who works in his office building, he begins to sense that there’s more to this job than he’s being told. As Billy begins to write about his traumatic childhood, his cover becomes increasingly real to him. The criminals who hired Billy find this cover story to be ironic due to Billy’s “dumb self” mask, but Billy, who secretly reveres Émile Zola and Tim O’Brien, is attracted to the idea of putting his own story on paper. The payday for this final assignment is astronomical, and the target undeniably deserves his fate, but what really convinces Billy to take on the job is the cover: He’ll have to pose as a writer who’s renting space in an office building to complete his first novel. Though he only kills bad people (he considers himself “a garbageman with a gun”), Billy is tired of the isolation and violence his chosen career entails, as well as of the dull, incurious persona he puts on to deflect the attention of the dangerous people who hire him. Though this novel includes many classic King touchstones-revenge, a writer hero, unlikely friendships, trauma, justice-its dedication to realism and intense, almost meditative focus on the titular main character make it a standout among his works.Īs the novel opens, 44-year-old military sniper-turned-assassin Billy Summers is reluctantly agreeing to take on one last job.
Five decades into an almost singularly successful career, Stephen King goes in an intriguing new direction with Billy Summers.
0 kommentar(er)
